Recently, learn Japan to design great master Liu Zongli now feel of a series of new fund design appear on the market, to before do not understand Liu Zongli the Eric of its person, seek a few data designedly, share the wonderful associate with of this industrial stylist of Japanese old generation with everybody. . . . .

Liu Zongli is the industrial stylist of Japanese old generation. 1936-1940 year in Tokyo artistic university learns, rose 1942, ren Le. Kebuxiai designs an office to send some day to participate in the Charlotte that improves products plan work originally. Peilian’s assistant. University of arts and crafts taught Ren Jinze 1954. Tokyo Japan holds the post of since 1977 civilian art house chief inspector. Although Liu Zongli is wrapped Si Heke of a person of extraordinary powers Buxiai’s influence, but he is chairing Japanese civilian his main interest when art house still is on Japanese local culture. Look in him, civilian craft can let people from which the fountainhead of derive beauty, make people review modern real significance. He holds to himself to be opposite the distinctive opinion of contemporary design and creation individual character.

He thinks: (1) the United States is useful, good design must accord with Japanese aesthetic and ethnics, show Japanese trait. (2) the essence of the design is creation, the mission of the design is to create a more more superior than in the past product, imitating is not true design. (3) traditional itself comes from creation namely, if break away from a tradition,be being designed well is inconceivable. The curves plywood to add metallic fittings butterfly stool that he designed 1956, it is the union of functional creed and traditional handicraft namely. (4) true design should face reality, receive vogue, the challenge of tide. He criticizes what exist in contemporary design to corporeal condition is talked and succumb to wait for undesirable tendency at fashionable gout only. His own products plan can be in harmony collects the west modernistic law and Japanese nation affection at an organic whole.

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